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SPINE 001 // dir. Nobuhiko Obayashi

Labyrinth of Cinema

"海辺の映画館 キネマの玉手箱"

SPINE 001 // dir. Nobuhiko Obayashi

Labyrinth of Cinema

"海辺の映画館 キネマの玉手箱"

SPINE 001 // dir. Nobuhiko Obayashi

Labyrinth of Cinema

"海辺の映画館 キネマの玉手箱"

SPINE 001 // dir. Nobuhiko Obayashi

Labyrinth of Cinema

"海辺の映画館 キネマの玉手箱"

SPINE 001 // dir. Nobuhiko Obayashi

Labyrinth of Cinema

"海辺の映画館 キネマの玉手箱"

SPINE 001 // dir. Nobuhiko Obayashi

Labyrinth of Cinema

"海辺の映画館 キネマの玉手箱"

 

Year: 2020

Runtime: 2h59min.

Country: Japan

Language: Japanese (w/ English subtitles)

Genre: Drama, Comedy, History, Romance

 

A movie can change the world!

Director Nobuhiko Ôbayashi leaves a message for the new generation. Not just a message—an energetic and powerful entertainment experience, the like of which you’ve never experienced before!

Setouchi Kinema, the only movie theater on the Onomichi seafront, is about to close its doors. Its last night of existence will be an all-night marathon screening of Japanese war films. When lightning strikes the theater, three young men in the audience find themselves thrown back in time into the world inside the screen. The trio are thrust into the Boshin War, the Second Sino-Japanese War, the Battle of Okinawa and then finally Hiroshima on the eve of the atomic bombing. There, they meet the traveling theater troupe “Sakura-tai”. But can they alter the course of destiny to save the troupe?

Filming in his hometown of Onomichi for the first time in 20 years, director Nobuhiko Ôbayashi's final film invites us into an intoxicating and fresh cinematic world. Against a backdrop that traces the history of Japan’s wars, Labyrinth of Cinema shapeshifts between styles and genres, drawing influences from silent films, talkies, action flicks, musicals, and more - and creates something triumphantly new and unique in the process. Obayashi, with a boundless optimism, showcases the raw energy within the medium, and the power of cinema to enact real change.

The main cast features Takuro Atsuki, Takato Hosoyamada, and Yoshihiko Hosoda as three youths transported through time into the world inside the silver screen and fated to cross paths with three heroines portrayed by newcomer Rei Yoshida, Obayashi film debutante Riko Narumi and Hirona Yamazaki, who appeared in the director’s previous work Hanagatami.

Trailer:

CAST

Mario: Takuro Atsuki

Noriko: Rei Yoshida

Hosuke: Takahito Hosoyamada

Shigeru: Yoshihiko Hosoda

Fanta G: Yukihiro Takahashi

Lt. Sako: Tadanobu Asano

Kazumi: Riko Narumi

Kameji: Shinnosuke Mitsushima

Keiko: Takakao Tokiwa

Kaya: Hirona Yamazaki

 

 

CREW

Director: Nobuhiko Obayashi

Script: Nobuhiko Obayashi, Tadashi Naito, Kazuya Konaka

Executive Producer: Kazuyoshi Okuyama

Production cooperation: Kyoko Obayashi

Producers: Tadashi Nakamura, Hiroyuki Ogasawara, Daichi Monden

Planning Producer: Hisao Nabeshima

Cinematography: Hisaki Sanbongi

Editors: Nobuhiko Obayashi, Hisaki Sanbongi

Music: Kosuke Yamashita

Sound: Makoto Uchida

Production Design: Koichi Takeuchi

 

REVIEWS

 

"Forget a swan song: Nobuhiko Obayashi’s final film is a shriek, a tirade, a lecture and a rollicking action-adventure stuffed into a three-hour pop-art package."

- Devika Girish, The New York Times

"Nobuhiko Ôbayashi’s last work starts as a sentimental elegy to cinema-going’s golden age but takes us through the heart of Japanese darkness"

- Peter Bradshaw, The Guardian

"In this three-hour-long, exuberantly shot (by cinematographer Hisaki Sanbongi) and imaginatively edited film, the full force of Obayashi’s preference for the experimental makes itself felt. Its visual panache is achieved by casually switching between color and black-and-white images, live action and CGI, and shuffling a variety of old-time movies and genres... "

- Deborah Young, The Hollywood Reporter

"Obayashi (1938-2020) delivers an extended fantasia spiked with motifs and ideas from his own long filmography, including time-travel, young sweethearts in peril, interactions between humans, fictional characters and ghosts, a tribute to hand-drawn animation and pastiches of silent-movie grammar...."

- Tony Rayns, Sight & Sound

The tone and style of “Labyrinth of Cinema" changes with each scene, from a parodic war movie within a more serious war movie... to an interactive communal forum, where audience members talk back at the screen and then not only enter the frame, but also rewrite the script. At which point “Labyrinth of Cinema” feels like a heartfelt, but typically jarring (and exhausting) farewell from a Utopian artist whose best work reminds us that the past is a tempting but dead place, and that art is a radical means of dealing with trauma.

- Simon Abrams, Roger Ebert

"Instead of a feeble final effort by a dying man, “Labyrinth of Cinema” is bursting with energy, passion and dreamlike invention, and while conveying a strong antiwar message, it is anything but preachy. The tone is that of a cheeky black comedy — minus the cynicism — while the border between reality and fantasy dissolves into a colorful alternative universe that is uniquely Obayashi’s."

- Mark Schilling, The Japan Times

"Foremost among these interests is the vitality and dreams of youth....the film’s recreations of approximately a dozen different styles of filmmaking [are] deliberately uncanny, a gap which points to its level of metatext. Past, present, and future are indistinguishable inside the projector..."

- Ryan Swen, Hyperallergic

"Labyrinth of Cinema is a true epic, which uses its three-hour runtime as a fully immersive playground of cinematic experiments... It’s a definitive final statement by Obayashi, and a confrontation of our ideas of what movies are (a lie), what they represent (a truth), and how we distinguish between the two."

- Soham Gadre, Film Inquiry

"... Labyrinth of Cinema is both a summation of Obayashi’s craft and a literal homecoming. The film is a magnum opus that beautifully blends two prominent aspects of the director’s existing body of work: It platforms the feverish carnage reflective of Obayashi’s existing anti-war films while contrasting the idyllic setting of Onomichi for greater effect. "

- Natalia Keogan, Paste Magazine

 

AWARDS

 

Best Director, #2 Film of the Year, Kinema Junpo Awards

Special Achievement Award, Tokyo International Film Festival 2019.

"In order to underline the eternal freedom exhibited in his work, as well as the playful chaos of a film that revisits the history of Japan through its cinema, the jury wishes to award a special mention to LABYRINTH OF CINEMA by the late Nobuhiko Obayashi.”

Special Jury Mention, Fantasia International Film Festival 2020

Rotterdam International Film Festival (2020)

Groningen International Film Festival Rotterdam (2020)

Helsinki Cine Aasia Film Festival (2020)

Nippon Connection (2020)

Udine Far East Film Festival (2020)

Taipei Film Festival (2020)

Japan Cuts (2020)

Shanghai International Film Festival (2020)

New From Japan (2020)

Slash Fantastic Film Festival (2020)

Japan Film Festival of Los Angeles (2020)

Black Canvas Contemporary Film Festival (2020) *Competition

Brisbane International Film Festival (2020)

Silk Road International Film Festival (2020)

Vladivostok International Film Festival (2020)

Australia Japan Film Festival (2020)

Toronto Reel Asian International Film Festival (2020)

 

Labyrinth of Cinema Links
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